Supporting DID with IFS and Art Therapy

Internal Family Systems (IFS) and art therapy can work especially well together in supporting people with Dissociative Identity Disorder (DID), particularly when therapy moves at a steady and respectful pace. Both approaches are grounded in the understanding that symptoms are not signs that something is “wrong,” but rather reflections of how the system learned to survive.
IFS offers a compassionate way to understand different parts of the inner world. At the same time, art therapy provides opportunities to express those experiences without relying entirely on words or memory. As a result, creating images or working with materials introduces helpful distance, allowing strong emotions or fragmented memories to be noticed without becoming overwhelming.
When used with DID, IFS is thoughtfully adapted so that parts are treated as real internal states and approached with care and consent. In addition, art therapy supports this process by allowing different parts to be expressed visually, without forcing understanding, unity, or change before the system is ready.
Why Combine Internal Family Systems and Art Therapy
Compared to approaches that rely primarily on verbal processing, combining IFS and art therapy naturally slows the therapeutic process in a helpful way. This pacing reduces overwhelm while maintaining a sense of control within the system.
Moreover, this integrative approach is particularly supportive for individuals who experience:
- Frequent switching between parts
- Memory gaps or fragmented recall
- Difficulty putting experiences into words
- Early relational trauma
- Neurodivergent processing styles
Therefore, using art and other nonverbal tools helps therapy remain grounded, flexible, and appropriately paced.

Phase 1: Establishing Safety and Stability
In the early stage of therapy, the primary focus is on building safety and stability. Art therapy offers a gentle way to begin understanding the inner system by creating images of different parts, their roles, and their relationships to one another.
For example, individuals may draw how close or distant parts feel, or what helps maintain a sense of containment. Importantly, there is no right or wrong way to do this.
The therapist does not interpret the artwork. Instead, the goal is to support observation and curiosity—helping the individual notice what feels steady, what feels activated, and what supports regulation.
As a result, parts can be acknowledged without becoming overwhelmed, allowing the system to build cooperation before any trauma processing begins.
The Role of Art in Early Stabilization
Art can also invite calm, curiosity, and compassion without pressure to reach a specific emotional state. Over time, art becomes a shared space where parts communicate safely, express boundaries symbolically, and feel witnessed without needing to relive past experiences.
Phase 2: Processing with Care and Containment
During this stage, therapy does not rush into detailed trauma narratives. Instead, the focus remains on staying grounded, observing experiences, and maintaining a steady pace.
Art therapy allows individuals to express what younger parts are carrying without directly revisiting what happened. For instance, metaphors such as weather, animals, or objects can represent internal experiences in a manageable way.
If release or transformation occurs, it is approached gently, with consent, and often symbolically rather than directly. Following each session, grounding practices and check-ins ensure that the work feels contained and supportive.
Consequently, the process remains respectful of the system’s limits while still allowing meaningful progress.

Phase 3: Integration and Connection
In this phase, integration is not about forcing parts to become one. Instead, the focus shifts toward improving communication, cooperation, and connection between parts.
Art therapy supports this process by helping create shared symbols of safety, illustrating evolving relationships between parts, and marking progress over time.
Meanwhile, IFS strengthens trust within the system, allowing protective parts to relax their roles. As a result, individuals experience greater internal collaboration and improved daily functioning.
How Art Supports Integration
Through creative work, individuals can visualize growth, recognize changes, and develop a stronger sense of internal cohesion. In addition, shared creative experiences reinforce connection without pressure.
Therefore, integration becomes a gradual and respectful process rather than a forced outcome.
Clinical Considerations and Therapist Role
The therapist’s approach plays a critical role in this work. Rather than acting as an authority who directs the process, the therapist brings steadiness, curiosity, and collaboration into the space.
This approach requires comfort with uncertainty, respect for the autonomy of different parts, and a willingness to slow down, pause, or stop when needed.
Consent is ongoing—especially from protective parts—and is never assumed. As a result, therapy becomes a collaborative process grounded in trust and respect.
Ultimately, this combination of IFS and art therapy offers a gentle, non-judgmental path for working with DID—one that supports healing through dignity, cooperation, and pacing rather than pressure.
References
- International Society for the Study of Trauma and Dissociation (ISSTD). (2011).
- Chu, J. A. (2011). Rebuilding Shattered Lives.
- van der Hart, O., et al. (2006). The Haunted Self.
- Schwartz, R. C. (1995/2019). Internal Family Systems Therapy.
- Twombly, J. H. (2013). Integrating IFS with trauma treatment.
- Gerge, A., et al. (2025). Art therapy and DID.
- Malchiodi, C. A. (2012). Handbook of Art Therapy.
- Lanius, R. A., et al. (2014). Neurobiology of trauma.
- Ogden, P., et al. (2006). Trauma and the Body.
- Herman, J. L. (2015). Trauma and Recovery.

Andrew Elman
Hi — I'm Andrew Elman
Andrew Elman, LCMHC, ATR is a Licensed Clinical Mental Health Counselor and Registered Art Therapist with 20 years of experience across inpatient, oncology, eating disorder, college counseling, and outpatient settings. He blends expressive art-making with psychotherapy, specializing in adolescents, families, and DBT-informed, trauma-informed approaches.
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